Iconography Index
Black-and-white photo (front): Antonio Stradivari and His Instruments, William Henley, Amati Publishing, Ltd., Sussex, 1961.
Black-and-white photo (front, back & side): Italian Violin-Makers (1952), Karel Jalovec, Orbis, Prague, 1952.
Black-and-white photos (front, back & side): A Thousand Mornings of Music, Arnold Gingrich, Crown Publishers, New York, 1970.
Black-and-white photos (front, back & side): Antonius Stradivarius (Balfoort), Dirk J. Balfoort, The Continental Book Company, Stockholm, 1945.
Black-and-white photos (front, back & side): How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Black-and-white photos (front, back, side & close-up of f-hole): The 'Secrets' of Stradivari, Simone F. Sacconi, Eric Blot Edizioni, Cremona, 2000.
Black-and-white photos (front, back, side, scroll & f-hole): Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
Color photo (back): "Gold standard", Carlo Chiesa, The Strad, February, 2005, 2005.
Order
Color photos (front, back & scroll): I violoncelli di Antonio Stradivari, Cinzia Manfredini (editor) and Bruce Carlson, Conzorzio Liutai Antonio Stradivari, Cremona, 2004.
Color photos (front, back & side): Encyclopedia of Violin-Makers, Volume 2, Karel Jalovec, Paul Hamlyn Ltd., London, 1968.
Color photos (front, back, scroll, f-holes & corner): "From Strad to Slava", Sam Zygmuntowicz, The Strad, October, 1997, 1997.
Notes
- "Duport's position as Napoleon's favorite cellist almost resulted in disaster for his Stradivarius when the emperor appeared , booted and spurred, at a private recital in the Tuileries. As the French historian Antoine Vidal later recounted, 'He listened with pleasure and, as soon as the piece was over he approached Duport, complimented him, and, grasping the cello with his usual foecefulness, asked, "How the devil do you hold this, Monsieur Duport?" while, sitting down, he squeezed the unfortunate instrument betwwen his spurred boots.' Some say the marks of the spurs can still be clearly seen in the sides of the cello."
- Stradivarius: Five Violins, One Cello and a Genius, Toby Faber, Macmillan, 2004.
Provenance
Current owner
Indicates that the owner is or was also a musician
Players
Current player
Indicates that the musician is or was also an owner of one or more instruments
References
A Thousand Mornings of Music, Arnold Gingrich, Crown Publishers, New York, 1970.
Antonio Stradivari and His Instruments, William Henley, Amati Publishing, Ltd., Sussex, 1961.
Antonio Stradivari: His Life & Work (1644-1737), W. Henry, Arthur F. & Alfred E. Hill, William E. Hill & Sons, London, 1902.
Antonius Stradivarius (Balfoort), Dirk J. Balfoort, The Continental Book Company, Stockholm, 1945.
Encyclopedia of Violin-Makers, Volume 2, Karel Jalovec, Paul Hamlyn Ltd., London, 1968.
How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Order
I violoncelli di Antonio Stradivari, Cinzia Manfredini (editor) and Bruce Carlson, Conzorzio Liutai Antonio Stradivari, Cremona, 2004.
Italian Violin-Makers (1952), Karel Jalovec, Orbis, Prague, 1952.
Stradivarius: Five Violins, One Cello and a Genius, Toby Faber, Macmillan, 2004.
The 'Secrets' of Stradivari, Simone F. Sacconi, Eric Blot Edizioni, Cremona, 2000.
Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
"From Strad to Slava", Sam Zygmuntowicz, The Strad, October, 1997, 1997.
"Gold standard", Carlo Chiesa, The Strad, February, 2005, 2005.
"Strad 'Cellos (reprinted from The Cornhill Magazine)", The New York Times, March 8, 1896.
http://membres.lycos.fr/Marianne/Dominique_Arot.html
http://www.cello.org/heaven/hill/pix/Index.htm
http://www.musicweb.uk.net/classrev/2003/May03/Jongen_Ardennes.htm
Correspondence with Cozio.com member, February, 2010.
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