• ID: 2875
  • Type: cello
  • Maker: Matteo Goffriller
  • Year built: 1723
  • City: Venice
  • Name: Lutyens
Back: Two-piece
Upper Bout: 35.2 cm.
Lower Bout: 45.9 cm.
Body Length: 76 cm.
Center Bout: 23.6 cm.

Photos

Click on a thumbnail to view the full-size image.

  • front & back
  • front
  • back
  • front & back

Iconography Index

Black-and-white photos (front & back - undated): Geigen aus Venedig, Aloys Greither, Werner Dausien, Hanau, 1986.

Order Black-and-white photos (front & back): "Matteo Gofriller of Venice - Part II", Ernest N. Doring, Violins & Violinists, June-July, 1949, 1949.

Black-and-white photos (front & back): "The Lutyens collection: Violoncello by Matteo Gofriller", Arthur Broadley, The Strad, 1924, January 1924.

Digital color photos (Details of front, back & scroll): The Violinmakers of Venice: 1582-1885 (CD-ROM), Reuning & Son Violins, Boston, 2005.

Notes

Shown at the Exhibition of Venetian instruments in Boston, May, 2002.
The Violinmakers of Venice: 1582-1885 (CD-ROM), Reuning & Son Violins, Boston, 2005.
"I was very keen to see this violoncello in the Lutyens collection, so that I could compare it with several violoncellos sailing under the colours of Carlo Bergonzi, and I must at once say that it is a finer specimen than any instrument I have yet seen except those by the finest of all makers, Stradivari himself; indeed I am told that for many years it passed as the work of Stradivari. In general character there is much of the Strad about it. The chief difference is in the scroll, and perhaps in the character of the soundholes. The scroll - although finely cut - seems cramped when compared with the well-known flowing lines of Strad, the soundholes are not quite so grand and seem to be placed a trifle nearer the centre than is the case with Stradivari. On the whole, however, the instrument has the outline and modelling of a fine Strad, and the wood and varnish are almost perfect. The varnish is even more Cremonese in character than Venetian, and the colour is a fine tawny chestnut. The wood of the table is a beautiful straight-grained piece of pine, and the back, in two pieces, of a medium flame, is arranged with the markings herringbone fashion—that is with the flame running upwards from the centre."
"The Lutyens collection: Violoncello by Matteo Gofriller", Arthur Broadley, The Strad, 1924, January 1924.

Provenance

Owner Owned From Owned In Owned Till Price paid
...         
Charles B. Lutyens         
...         

Current owner Current owner
Indicates that the owner is or was also a musician Indicates that the owner is or was also a musician

Certificates

Dendrochronological analysis: John C. Topham, Redhill. Youngest ring is 1618.

References

Geigen aus Venedig, Aloys Greither, Werner Dausien, Hanau, 1986.

The Violinmakers of Venice: 1582-1885 (CD-ROM), Reuning & Son Violins, Boston, 2005.

Order "Matteo Gofriller of Venice - Part II", Ernest N. Doring, Violins & Violinists, June-July, 1949, 1949.

"The Lutyens collection: Violoncello by Matteo Gofriller", Arthur Broadley, The Strad, 1924, January 1924.

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[2875: Matteo Goffriller, 1723 cello]... Expand / Collapse
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Posted Thursday, October 29, 2009 6:12 AM
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Is this not the same instrument listed as #1043? Before being re-Baroqued?
Post #2274
Posted Friday, October 30, 2009 9:34 AM


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Yes, they are the same instrument. I have merged the two entries. Thanks again for your help in correcting errors in the database.

- Phil Margolis
Cozio Publishing
Post #2280
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