Giuseppe Guarneri del Gesù (b 1698; d 1744), Cremona
Giuseppe Guarneri del Gesu ranks today as one of the two greatest violin makers of all time, although the marked difference between the appearance and sound of his instruments and those of Stradivari makes comparison almost impossible. Some simply prefer Stradivari, and some (notably Paganini) prefer del Gesu. Giuseppe trained with his father, Giuseppe Guarneri filius Andrea, and assisted him from about 1714 until 1722. In that year he left his father’s house to get married, and seems to have forsaken violin making for a few years. The earliest known instruments that are entirely his own work date from the late 1720s, but it was not until 1731 that he began to insert the label with the monogram IHS (‘Iesus Hominem Salvator’: ‘Jesus Saviour of Man’), which gave rise to his nickname ‘del Gesu’. He seems to have been strongly influenced by the Brescian school, and his work combines the best of the Cremonese tradition with the stretched C-bouts and exaggerated f-holes of Maggini and da Salo. Tonally, his instruments retain much of the sweetness of a Stradivari, but have a seemingly unlimited depth and darkness of sound, irrespective of the pressure of the bow. He reached his pinnacle as a craftsman in the mid-1730s, and produced some ravishingly beautiful instruments, such as the ‘King Joseph’ of 1737. However, it is the later instruments that have come to represent all that is characteristic of del Gesu — the unbridled creativity, the astonishing disregard for the details of workmanship, and the sheer daring of design and construction that are the natural conclusion of the deeply ingrained individuality of the Guarneri family. The rapid spread of del Gesu’s fame in the mid-19th century was largely due to the patronage of Paganini, who played the ‘Cannon’ of 1743 for most of his career.  (excerpted from Four Centuries of Violin Making by Tim Ingles.)
result on page

Query: All luthier's instruments

To see details about an instrument, click on the instrument's ID number

Number of results: 189
1 2 3 4 5 6 7 8 9 10|
ID Type
Year
Name
Iconography of instrument Certificates or other documentation describing instrument Provenance of instrument Historical pricing information
668 violin 1717      
2124 violin 1717-1720      
87 violin 1720c Kartman    
4918 violin 1720c
5112 violin 1720c Marteau  
9179 violin 1720c Campbell
1155 violin 1725c Moeller    
19719 violin 1725c Folinari
624 violin 1725      
4520 violin 1726c Zimmermann
9610 violin 1726c Enescu    
682 violin 1726 Colin, Kogan    
409 violin 1727c Dancla  
680 violin 1727c Guilet
20188 violin 1726-30  
2067 violin 1727 Lenau  
5560 violin 1727      
9611 violin 1727 Milstein    
21284 violin 1727      
718 violin 1728      
Number of results: 189
1 2 3 4 5 6 7 8 9 10|
Iconography of instrument
Iconography of instrument ( indicates that photos or illustrations are viewable on-line)
Stolen
Stolen
Certificates or other documentation describing instrument
Certificates or other documentation describing instrument
For sale
For sale
Provenance of instrument
Provenance of instrument ( indicates that the current owner or player is listed )
*
Indicates that because the date is unknown the entire span of the luthier's working years is given
Historical pricing information
Historical pricing information ( indicates that there is a price from the last 10 years )
 
Home           
Welcome Guest ( Login | Register )
        


««12

[Giuseppe Guarneri del Gesù] The violins by... Expand / Collapse
Author
Message
Posted Monday, April 02, 2007 10:24 PM
Forum Newbie

Forum NewbieForum NewbieForum NewbieForum NewbieForum Newbie

Group:
Last Login: Tuesday, January 02, 0001 12:00 AM
Posts: 0, Visits: 0
Hi Philip,

Each plate illustrating violins by Guarneri del Gesu in the Karel Jalovec 1964 (revised edition) of "ITALIAN VIOLIN MAKERS"; illustrates the authentic work of that master. I don't think I've seen plate numbers; 229, 233, 234, 236, and 237 in the Cozio archives, but if you'd like, I will submit them. These plates do happen to be from Hamma, though.  Aw....what the heck!! I sent them already!!

John A. Thornton

Brewton, Alabama

Post #648
Posted Tuesday, April 03, 2007 8:45 AM


Moderator

ModeratorModeratorModeratorModeratorModeratorModeratorModeratorModerator

Group: Administrators
Last Login: Saturday, March 02, 2013 10:40 AM
Posts: 514, Visits: 16,794
John,

Actually, I have this edition, but I haven't had time to go through it yet and add the images that weren't in his earlier editions. Too many instruments, not enough time.... But I'll get to it evenutally.

Cozio Publishing

Post #650
Posted Tuesday, April 03, 2007 8:52 AM
Forum Newbie

Forum NewbieForum NewbieForum NewbieForum NewbieForum Newbie

Group:
Last Login: Tuesday, January 02, 0001 12:00 AM
Posts: 0, Visits: 0

Hi John,

What for Cozio your plates by Guarneri del Gesu, from book Jalovek, when he "identifies" any instrument as “the German of 19 centuries”, and any criticism perceives as the personal insult.

 

Piligrim

Post #651
Posted Tuesday, April 03, 2007 12:39 PM
Forum Newbie

Forum NewbieForum NewbieForum NewbieForum NewbieForum Newbie

Group:
Last Login: Tuesday, January 02, 0001 12:00 AM
Posts: 0, Visits: 0
well,well, pilgrim,
you are exactely the kind (in italy we say so....) that in every Forum "piscia fuori dall'orinale".
now , nobody is interested in your sarcasm, your personal enemies, your fantasies about seeing Guarn.&Strad in everything that comes out of cellars and lofts.
Cozio is rightly prudent, considering the ENORMOUS amount of german, even good, copies that invaded the market 100 years ago.
now, you and H&C bring facts, legends, knowledges, photos!!!
everything is welcome.
BUT ABSTAIN YOURSELVES FROM PERSONAL COMMENTS ON OTHER MEMBERS.
i'm here to learn something, not to listens to old ladies quarrels.
and your english, please.....
phil, sorry, but is a bit too much, don't you think?

Post #652
Posted Tuesday, April 03, 2007 1:58 PM


Moderator

ModeratorModeratorModeratorModeratorModeratorModeratorModeratorModerator

Group: Administrators
Last Login: Saturday, March 02, 2013 10:40 AM
Posts: 514, Visits: 16,794
Pilgrim is, of course, entitled to his opinions, and I don't for a second take his criticisms personally. But I am concerned about the direction this forum is heading. I had hoped that it would be a place where people with real knowledge about violin-making instrument identification could communicate with one another and could help those of us with less experience. But unfortunately most of the real experts have chosen not to participate, which has left things wide open for a few self-proclaimed experts to put forth their own sometimes-bizarre theories. Just to be clear, I'm talking specifically about Pilgrim and Hammer'n Chisel. 

Although I'm confident that most Cozio members know enough to be skeptical of what anyone (myself included) says, I'm not really happy that I'm providing a platform for people to disseminate what I consider to be disinformation.  That leaves me with two rather draconian choices: 1) ban those members who I feel are damaging the forum; or 2) shut down the forum altogether. If anyone has advice, I'm all ears.

Cozio Publishing

Post #653
Posted Wednesday, April 04, 2007 12:10 PM


Enthusiast

EnthusiastEnthusiastEnthusiastEnthusiastEnthusiastEnthusiast

Group: Forum Members
Last Login: Thursday, May 22, 2008 10:55 AM
Posts: 96, Visits: 268
Hi Phil,

being a new member of the cozio community i was looking forward to exactly what you desribe ,a place for discussion on the many facinating facets of instruments ,the history,the makers,etc ,and as you said possibly for those who wish to express there opinions on instruments posted for identification by members, as with all forums it will attract the sincere, the helpull ,the curious and hopefully the knowledgable , to share and possibly provide a little help to the less knowledgable,however forums will also attract those with there own agendas which may or not  as the case may be usefull to the community members, and as a moderator i feel you have no option but to ban members postings when they have obviously breached the heights of credulity and sensibility,to close the forum completely would be a great loss to the members who wish to participate along the accepted guidelines, I personally welcome the opportunity to participate, and hopefuly with my 35yrs plus involvement with violins etc I may at times be able to offer advice and some insite for others ,I would also hope that there will be much to learn and enjoy

best wishes Glassman

Post #657
Posted Wednesday, April 04, 2007 1:51 PM


Moderator

ModeratorModeratorModeratorModeratorModeratorModeratorModeratorModerator

Group: Administrators
Last Login: Saturday, March 02, 2013 10:40 AM
Posts: 514, Visits: 16,794
Hi Glassman,

Thanks for your feedback, and for your participation in the forum. I received similar messages privately from several Cozio members and have decided to ban Hammer 'n'Chisel and Piligrim. This wasn't an easy decision because I'm very much in favor of people expressing their opinions, which is why I started the forum in the first time. But I felt that the posts from these two were not only outlandish but also dangerous to those with little experience in the violin world who might actually believe that there are hundreds of undiscovered del Gesus and Strads lying in people's attics.

Now that these two are gone, I hope the tenor of the discussions will be more reasonable and that others, who may have shied away due to some of the crazy ideas being posted, will decide to participate.

Cozio Publishing

Post #658
Posted Friday, November 30, 2012 2:28 AM
Enthusiast

EnthusiastEnthusiastEnthusiastEnthusiastEnthusiastEnthusiast

Group: Forum Members
Last Login: Today @ 3:11 AM
Posts: 50, Visits: 490
In my humble opinion the worst mistake ever to be made is to prevent "historically new" ideas from being presented, especially concerning bowed stringed instruments. No one can say (with certainty) how many instruments were made by any luthier from the baroque period, therefore no one can say that 'they've all been accounted for.' Can anyone show documented proof that Bartolomeo Giuseppe Guarneri was called 'del Gesu' during his lifetime? Can anyone disprove that Giuseppe Guarneri "del Gesu" wasn't born the 16th of October, 1687? Documents do exist that confirm his true genealogy and they can still be found in the San Donato archives, in Cremona.

[quote]cozio (4/3/2007)
Pilgrim is, of course, entitled to his opinions, and I don't for a second take his criticisms personally. But I am concerned about the direction this forum is heading. I had hoped that it would be a place where people with real knowledge aboutviolin-making instrument identificationcould communicate with one another and could help those of us with less experience. But unfortunately most of the real experts have chosen not to participate, which has left things wide open for a few self-proclaimed experts to put forth their own sometimes-bizarre theories. Just to be clear, I'm talking specifically about Pilgrim and Hammer'n Chisel.

Although I'm confident that mostCozio members know enoughto be skeptical of what anyone(myself included) says, I'm not really happy that I'm providing a platform for people to disseminate what I consider to be disinformation. That leaves me with two rather draconian choices: 1) ban those members who I feel aredamaging the forum; or 2) shut down the forum altogether. If anyone has advice, I'm all ears.[/quote]
Post #2891
« Prev Topic | Next Topic »

««12

All times are GMT, Time now is 3:22am