Iconography Index
Black-and-white photos (front & back): "Three violins from Cremona", World of Strings, Fall, 1962, 1962.
Black-and-white photos (front, back & side): Italiaansche Vioolbouw, Max Möller, Max Möller N. V., Amsterdam, 1938.
Black-and-white photos (front, back & side): L'Esposizione di Liuteria Antica a Cremona nel 1937, Cremona.
Black-and-white photos (front, back & side): Mostra di Antonio Stradivari (Palazzo Borromeo - Isola Bella), Turris Editrice, Cremona, 1963.
Black-and-white photos (front, back & side): Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
Color photos (front & back): "2007 Calendar", The Strad, October, 2006, 2006.
Color photos (front, back & scroll): Christie's Musical Instruments Auction Catalog, April 22, 2005, New York, Christie's, 2005.
Order
Color photos (front, back & scroll): Four Centuries of Violin Making: Fine Instruments from the Sotheby's Archive, Tim Ingles & John Dilworth, Cozio Publishing, Boston, 2006.
Order
Color photos (front, back & side): Sotheby's Highly Important Musical Instruments Auction Catalog, November 25, 1983, London, Sotheby's, London, 1983.
Notes
- "When Hill delivered the violin to Miles' residence at 40 Grosvenor Square, he wrote a note, saying a buyer couldn't find an instrument in a more perfect state. "Such violins never come into the saleroom nor are they offered publicly in any way," he wrote. The fitted case in which the violin rests still carries an engraved lock plate with Lady Tennant's name and address."
- "This violin truly has a rich sound", Kristina Goetz, The Indianapolis Star, May20, 2005.
Provenance
Current owner
Indicates that the owner is or was also a musician
Players
Current player
Indicates that the musician is or was also an owner of one or more instruments
Certificates
Certificate: Bicentenario Stradivariano, Cremona, October 27, 1937
Certificate: Max Möller, Amsterdam, May 22, 1944
Certificate: W. E. Hill & Sons, London, March 20, 1900
Letter: Arthur F. Hill, London, March 17, 1900. To Lady Tennant: ". . . though you may see a Strad that you may be told is of a different period or more attractive, you cannot get one in the very perfect state that this instrument is. . ."
Dendrochronological analysis: John C. Topham, Redhill, February 6, 2003. States that the year rings positively match a number of other works by Stradivari. Of note are matches with a 1696 Stradivari viola, known as The Archinto, belonging to London's Royal Academy of Music as well as two other 1699 violins, one belonging to the Musée de la Musique in Paris, and a violin made in 1700.
Certificate: Rudolph Wurlitzer Co., New York
References
Antonio Stradivari: His Life & Work (1644-1737), W. Henry, Arthur F. & Alfred E. Hill, William E. Hill & Sons, London, 1902.
Christie's Musical Instruments Auction Catalog, April 22, 2005, New York, Christie's, 2005.
Order
Four Centuries of Violin Making: Fine Instruments from the Sotheby's Archive, Tim Ingles & John Dilworth, Cozio Publishing, Boston, 2006.
Italiaansche Vioolbouw, Max Möller, Max Möller N. V., Amsterdam, 1938.
L'Esposizione di Liuteria Antica a Cremona nel 1937, Cremona.
Mostra di Antonio Stradivari (Palazzo Borromeo - Isola Bella), Turris Editrice, Cremona, 1963.
Order
Sotheby's Highly Important Musical Instruments Auction Catalog, November 25, 1983, London, Sotheby's, London, 1983.
Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
"2007 Calendar", The Strad, October, 2006, 2006.
"In Brief", The Strad, July, 2007, 2007.
"This violin truly has a rich sound", Kristina Goetz, The Indianapolis Star, May20, 2005.
"Three violins from Cremona", World of Strings, Fall, 1962, 1962.
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