Iconography Index
Black-and-white photos (front, back & side): How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Black-and-white photos (front, back & side): Sotheby's Musical Instruments Auction Catalog, December 16, 1971, London, Sotheby's.
Black-and-white photos (front, back & side): The Jacques Français Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Smithsonian Institution, Washington, D.C..
Black-and-white photos (front, back & side): The Stradivari Memorial (1977), William Dana Orcutt, Da Capo Press, New York, 1977.
Black-and-white photos (front, back, side, scroll & f-hole - initialed by Emil Herrmann): The Jacques Francais Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Archives Center, National Museum of American History, Smithsonian Institution.
Black-and-white photos (front, back, side, scroll & f-hole): Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
Color photos (front & back): "Nicolo Amati's instruments in pictures", The Strad, December, 1996, 1996.
Order
Color photos (front, back & scroll): Four Centuries of Violin Making: Fine Instruments from the Sotheby's Archive, Tim Ingles & John Dilworth, Cozio Publishing, Boston, 2006.
Order
Color photos (front, back & scroll): Sotheby's Musical Instruments Auction Catalog, Part II, November 14, 1985, London, Sotheby's.
Notes
- "On Jan. 16, 1953, as a violent rainstorm pelted Los Angeles, Sascha Jacobsen, concertmaster of the Los Angeles Philharmonic Orchestra, was driving along the coastal highway to Pacific Palisades, the Red Diamond in its case beside him. His car stalled near Santa Monica and water from an overflowing stream began to surround the vehicle and fill it up. Seeking to escape the flood, Jacobsen grasped his violin case, stepped from the car into the rising waters and struggled through the torrent to higher ground. The Red Diamond was swept from his arms and out to sea as he barely made his way to safety. He watched, helpless, as the violin case floated away.
The next day, a prominent Los Angeles attorney, Frederick H. Sturdy, was walking along the beach of the Bel Air country club and spotted a violin case stuck in the sand. Inside the case he found slime, sand, water--and the pieces of a violin. By amazing coincidence, Sturdy was a friend of Alfred Wallenstein, music director of the Philharmonic. When he learned the following day of Jacobsen's disaster and the loss of the Red Diamond, Sturdy immediately contacted Wallenstein. Identified as the lost Strad, the salt water-logged and sand-encrusted violin parts were entrusted to Hans Weisshaar, an outstanding luthier. Over the next nine months, Weisshaar painstakingly restored the violin, returning it to its "former glory...both in tone and appearance," Jacobsen later wrote in appreciation. He told friends the Red Diamond sounded "better than ever."
In 1971, a few years after Jacobsen's death, the Red Diamond was sold at auction by Sotheby's in London for $67,600--far more than it was insured for at the time of its ocean ordeal. The violin was put on the auction block by Sotheby's again in 1985, with an asking price of more than $1 million, but was not sold at that time. A few years later, an anonymous collector purchased it privately for an undisclosed sum--surely paying as much for the magic of its reincarnation as for its other exemplary attributes."
- http://www.cigaraficionado.com/Cigar/Aficionado/goodlife/fm1295.html
- Illustrated in The Strad, Sep. 1985.
- How Many Strads? (1999 edition), Doring, Bein & Fushi, Bein & Fushi, Chicago, 1999.
- George Hart, who was a violinist as well as a dealer, maintained the instrument throughout his lifetime, as he preferred it to any other that came into his possession, and his opportunities for acquiring the finest instruments were at that time practically unlimited.
- The Stradivari Memorial (1977), William Dana Orcutt, Da Capo Press, New York, 1977.
Provenance
Current owner
Indicates that the owner is or was also a musician
Players
Current player
Indicates that the musician is or was also an owner of one or more instruments
Certificates
Certificate: Emil Herrmann, New York, May 4, 1937. With three signed photos.
Letter: George Hart, London, March 18, 1913. To F. J. Underhill.
Receipt & Letter: Emil Herrmann, New York, June 8, 1937. To Mrs. John W. Garrett.
Certificate: Hart & Son, London, December 1, 1908
References
Order
Four Centuries of Violin Making: Fine Instruments from the Sotheby's Archive, Tim Ingles & John Dilworth, Cozio Publishing, Boston, 2006.
How Many Strads? (1999 edition), Doring, Bein & Fushi, Bein & Fushi, Chicago, 1999.
How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Sotheby's Musical Instruments Auction Catalog, December 16, 1971, London, Sotheby's.
Order
Sotheby's Musical Instruments Auction Catalog, Part II, November 14, 1985, London, Sotheby's.
Stradivarius-Guarnerius del Gesù: Catalogue descriptif de leurs instruments (Facsimile of Gand's notes from 1870-91), Charles-Eugène Gand, Les Amis de la Musique, Spa, 1994.
The Jacques Français Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Smithsonian Institution, Washington, D.C..
The Stradivari Memorial (1977), William Dana Orcutt, Da Capo Press, New York, 1977.
Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
"F. J. Underhill Left Violins to Museum", The New York Times, July 23, 1938.
"Nicolo Amati's instruments in pictures", The Strad, December, 1996, 1996.
"Sotheby's Photo Archive".
"The Musical Instrument Department at Sotheby's", Graham Wells, The Strad, July, 1980, 1980.
http://www.cigaraficionado.com/Cigar/Aficionado/goodlife/fm1295.html
Sale Book, 1870-1936, The Jacques Francais Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Archives Center, National Museum of American History, Smithsonian Institution.
The Jacques Francais Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Archives Center, National Museum of American History, Smithsonian Institution.
